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ACT III love whispers with a knife
warning appears in apparitions of absence that stir fear in their dreams a measure of what could be lost
palms up with defensive wounds they embrace
ACT IV they are found
after wrong turns and riding on rims truth is peeled like the skin of an apple spiraling one long curve of flesh the intention was to create sculpture
sufficiently lynched and swinging in syncopation to the silent doors and separate rooms hung by the resolution of romance
ACT V feuilles mortes
he walks through Debussy distorting impressionist waves with the swing of his arms
her skin bristles at the dissonance as they murder silence
cold contented scars lay around the room salved by cascading dead sheets that kiss the floor |
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